{"id":37088,"date":"2023-07-09T16:03:09","date_gmt":"2023-07-09T15:03:09","guid":{"rendered":"https:\/\/www.wsd.org.uk\/?post_type=product&p=37088"},"modified":"2023-07-09T16:16:34","modified_gmt":"2023-07-09T15:16:34","slug":"autumn-2018-j267","status":"publish","type":"product","link":"https:\/\/www.wsd.org.uk\/test\/product\/autumn-2018-j267\/","title":{"rendered":"Autumn 2018 – J267"},"content":{"rendered":"

#267 Autumn 2018<\/h3>\n

Our special colour themed issue looks at many aspects of this fascinating, and often challenging, subject. To start, and before our visual senses are confused by a kaleidoscope of possibilities, Sarah Pape explains in very straightforward terminology the theory of colour perception. We move on to the primaries: a whistle-stop tour of blue, looking at indigo under the expert guidance of Jenny Balfour Paul, Association President; fascinating research into Norwich Red with Susan Dye and Hannah Sabberton; and finally we explore the warm yellows of the Moroccan sun with Aviva Leigh.
\nPractical advice follows; Rachael Prest experiments with spinning hand-dyed tops to produce varied striped, woven fabrics, whilst Michael Crompton describes his distinctive method of using colour in tapestry weaving. More advanced weavers will enjoy following Rosalie’s Neilson’s step-by-step guide to weaving a colourful rep runner on 4 or 8 shafts. We’ve also tried our best to focus on colour in our regulars \u2013 Notebook, Book and Exhibition Reviews and Guild Highlights \u2013 for our most colourful issue ever.<\/p>\n","protected":false},"excerpt":{"rendered":"

#267 Autumn 2018 Our special colour themed issue looks at many aspects of this fascinating, and often challenging, subject. 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