Can you be sure to have enough fibre for a project, before starting it? Klara Decker explains how.
Amanda Hannaford shows us step-by-step, how to produce space-dyed tops.
Weavers will be intrigued by Merilyn Green’s account of Weaving Damask on a Drawloom. Rita Parniczky tells us about her X-ray fabrics and Jo Atherton explains how and why she weaves art from flotsam.
See how spinners got ‘out and about’ for Worldwide Spin in Public Day.
Hear the fascinating story of a Shrewsbury Flax Mill and the ‘Flax to Fabric’ project it has inspired.
2015 sees the diamond anniversary of the Association of Guild’s for Weavers, Spinners and Dyers; Jill Riley takes us on a journey through its 60 years of challenges and changes.
Title | Author | Page |
---|---|---|
Dancing with Sheep pdf | Lydia Hill | 10 |
Ancestral Andean Weaving: ‘Rescuing the past, weaving the future’ | Steven Byrd | 13 |
Designing pleated triplecloth jewellery | Sue Brigg | 17 |
The Lincoln Longwool Sheep | Steve Higgins | 21 |
Dyeing the Uruz sail | Deb Bamford; Russ Scott; Isabella Whitworth | 24 |
Art Tapestry Play – Commission for Studio Toogood | Katherine Swailes; Jill Davies | 27 |
Weavers’ Service | Jill Davies | 29 |